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	<title><![CDATA[Play▶️ fat ass white girl XXX HD Porn Video]]></title>
	<link>https://dewporn.com/t/fat-ass-white-girl/</link>
	<description><![CDATA[Watch Free ❌fat ass white girl❌ HD XXX Videos online for Free!]]></description>
	<lastBuildDate>Sun 12 Apr 2026 00:06:27 +0200</lastBuildDate>
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	<title><![CDATA[
		The Casting
	]]></title>
	<link>https://dewporn.com/video/143629/the-casting/</link>
	<description><![CDATA[
		<a href="https://dewporn.com/video/143629/the-casting/"><img src="https://dewporn.com/contents/videos_screenshots/143000/143629/640x360/1.jpg" border="0"><br>YOU&#39;RE SAFE NOWTROUBLED VIRGIN EXPLOITED BY SOCIAL WORKER AFTER BEING RESCUED FROM CULTSCENE opens and a fragile-looking girl (Whitney Wright) nervously shuffles along the walkway to the doorstep of a social worker&#39;s house. She is clearly not comfortable, looking a little paranoid as she glances around her as if checking that there&#39;s no one laying in wait around the next corner. She&#39;s easy to startle, flinching as a car drives by in the background. She lets out a shuddery breath to calm herself, then hugs herself, trying to provide the comfort she&#39;s been deprived of for so many days.She steals a moment to brace herself on the steps, telling herself that she can do this. Just as she lifts a hand to knock on the door, the door opens, revealing a man (Derrick Pierce) with a warm smile. Lily jumps with surprise and he apologizes, saying that he saw her through the window. He seems approachable. He says that she must be Lily and invites her in after introducing himself as Aiden Taylor, her social worker. She seems to relax slightly -- only slightly -- with his warm greeting.She steps inside the home, thanking him for seeing her, though hesitantly comments that she was surprised he asked her to come to his house, not his office. Aiden replies that he likes working from home since he finds that people who have trouble trusting others -- like many of his clients, perhaps even like her -- feel more at ease meeting in a comfortable, inviting setting than in a big cold corporate office. He&#39;s worked a lot of cases and the home environment seems to work best, especially for teens who are often otherwise distrustful of authority figures.She pauses a moment and responds that she guess she can see that, sure, warming up a little to his attempts at putting her at ease. He sees she is still a little skittish and smiles, reassuring her that she doesn&#39;t need to be afraid anymore as he puts a firm hand on her shoulder. Lily tenses and he immediately pulls back with an apologetic look, gesturing instead with that same hand for her to head towards the office. As he does, he promises that she&#39;s safe now, but as he closes the door, there&#39;s a glimpse of a smile turned sinister.TITLE PLATELily and Aiden step into the home office, which is warm and inviting. There are two armchairs in the office facing each other. A desk might be present, but Aiden opts instead not to sit behind it, taking instead one of the two chairs facing each other. Aiden gestures to and pats the other chair across from him, encouraging Aiden to sit, as he sits opposite of her. He keeps a comfortable and standard distance from her of about three feet to promote intimacy. She&#39;s nervous as he picks up a notepad and pen. Her posture is closed off, with her shoulders pulled in, her hands fisted tight against her lap.Aiden and Lily begins discussing the case. To start with, he just needs some basic information to make sure everything gets processed correctly. He asks to check the spelling of her name and her birthdate. She gives her name and birthdate to him, and he asks if that means she&#39;s 19, which she confirms. He also asks about her family, which makes her shift uncomfortably. She gives the names of her parents, as well as her younger sister, Emily. He asks how old Emily is, seeming intrigued -- she&#39;s Lily&#39;s YOUNGER sister, right? Emily confirms yes, she just turned 18 this month. Only a few days before they ran away, in fact. Aiden seems pleased with this response.Aiden then uses the tried-and-true method of small talk for easing her into the session. He talks about the weather, and she mentions that the weather was really nice for walking to his place. It felt like she was seeing everything for the first time. Aiden asks her how does she mean seeing everything for the first time? She shrugs, looking a bit sheepish as she admits that the sun is brighter, the wind warmer, the birds more cheerful... Emily was so excited when she saw a florist shop for the first time a couple days ago, Lily adds with a small but fond smile. The flowers were so colorful, like the ones just outside on Aiden&#39;s street. &#39;Father Warren used to say that boastful colors were the devil&#39;s palette, so we only had white flowers in our homes.&#39;Aiden then continues, probing more into the situation. He starts by asking how many days she&#39;s been in the city? She says it&#39;s only been a week? She remarks that it&#39;s hard to tell because so much has happened -- it feels like her head is still spinning. He asks her where she&#39;s staying, and she says that they&#39;re at a local shelter. He asks her how the conditions have been and she admits they aren&#39;t great, nothing like how things were at the compound.Aiden assures her that it&#39;s normal for her to feel anxiety, but that she&#39;s doing fine. He then asks her to discuss the commune. She&#39;s still uncertain, looking around nervously while rubbing her arm or biting her bottom lip. Aiden assures her that everything they discuss is strictly between them. He&#39;s there to help her. She gazes at him for a few moments, choosing to trust him, then explains how her parents have both been part of the commune since before she was born, they were some of the first members to join. It was the only life she&#39;s ever known. She didn&#39;t think anything of it until a few months ago when she started hearing rumors. Aiden asks her what rumors she&#39;s heard. Lily is quicker to respond now, desperate to be heard as she leans forward in her chair, becoming more animated.She says that she heard that their leader, Father Warren, was taking girls into the barn to... to DO things to them... &#39;What KIND of things?&#39; Aiden asks, leaning in as if almost perversely wanting to learn more, his warm presence starting to shift to something unsettling. Since she&#39;s so desperate to get everything out into the open now, she doesn&#39;t catch onto Aiden&#39;s change of demeanor. She says she&#39;s heard that he takes them back there to have sex with them.&#39;And why did you feel uncomfortable about the rumors? ...Is it perhaps because you secretly wanted to be one of those girls?&#39; Aiden asks, still in a professional tone, which seems creepier now because of the nature of the questioning and the way he seems even MORE focused on her. His eyes even flicker over her body briefly, which she catches.She closes her body off again, gasping. &#39;No, of course not! Why would I want that?&#39; she exclaims. Aiden slips back into a practiced smile as he leans back into the chair. He apologizes to her for making her uncomfortable, explaining that he&#39;s worked with many troubled teens that developed attraction towards the men that have been exploiting them. He invites her to continue speaking.Lily is a little wary again now, but continues talking, unable to help herself. She NEEDS to be heard! She says that ever since she started hearing the rumors, it was like a fog has been lifted. She noticed other strange things, too, like how everyone seemed TOO happy, but any time she tried to talk to her parents about it, they denied everything. Finally, she decided that she NEEDED to get Emily to safety. She couldn&#39;t let Emily be the next one that Father Warren decided to be sinful with. They fled, having no belongings, no money, nowhere to stay... They got a ride to the city and have been staying at the women&#39;s shelter for now, but it&#39;s not enough. They can&#39;t stay there forever. When she asked the homeless shelter volunteers, they referred them to Aiden, so that&#39;s why she&#39;s there. They said a social worker might be able to help her and her sister get the care and resources she needs to ensure that she and Emily are truly SAFE. She&#39;s the big sister -- she HAS to take care of Emily. She can&#39;t risk them being sent back to that crazy place now.Aiden says that he think he may be able to get them into a transitional home and goes to the computer to check. However, he&#39;s not really looking anything up at all as he instead watches Lily from afar. After a few moments, he approaches her and says that he can help them. But there&#39;s a lot of people ahead of them on the waiting lists...Aiden then reveals that he is convinced that Lily and Emily were part of a sex cult. Lily is shocked, but especially when Aiden crouches close and suddenly looks a whole lot creepier. Aiden reflects out loud that if the commune was that strict about sex, Lily is probably still a virgin then... but, he asks, has she ever at least masturbated?Lily is shocked by the change, recoiling away from him. She finally states that she&#39;s REALLY uncomfortable about all this and doesn&#39;t think he&#39;s the right fit for her needs. She makes for the door but Aiden speaks up again in a cold drawl. &#39;You COULD leave, if you want. I certainly won&#39;t stop you. Just know that I&#39;m the ONLY one that can help you get what you need to start a new life. No one else will help you if I exaggerate a few things in my notes here...&#39; Lily exclaims that he can&#39;t do that. He counters that he CAN and WILL.She&#39;s horrified and torn. &#39;No, I HAVE to protect Emily... I have to get her AWAY from all this...&#39; Aiden smiles darkly as he undoes his pants and removes his cock. &#39;If YOU cooperate, I can help make sure you BOTH get the new life you&#39;ve dreamed of. You can be together and HAPPY for the rest of your lives...&#39; he teases.Lily tries not to stare at the cock, since it&#39;s her first time seeing one, shocked by everything that&#39;s happening. She backs up as he approaches until her back is against the nearest wall. &#39;What are you doing?? No, I-I can&#39;t do this...&#39; she stammers. He asks if she&#39;s REALLY going to let her dear little sister down like that? He said he&#39;d help her and he plans to keep his promise. Now she has a choice to make.She finally reluctantly agrees to have sex with him if it means securing a better future. She nervously drops to her knees and parts her lips while looking up at him. He mockingly says that she&#39;s made the right choice and that her sister should be SO PROUD of her for being so brave...</a>
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	<pubDate>Sun 04 Dec 2022 05:57:28 +0200</pubDate>
	<guid>https://dewporn.com/video/143629/the-casting/</guid>
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	<title><![CDATA[
		Mommy Monster
	]]></title>
	<link>https://dewporn.com/video/132501/mommy-monster/</link>
	<description><![CDATA[
		<a href="https://dewporn.com/video/132501/mommy-monster/"><img src="https://dewporn.com/contents/videos_screenshots/132000/132501/640x360/1.jpg" border="0"><br>GUIDANCESCHOOL COUNSELOR TAKES ADVANTAGE AND ROUGH FUCKS TROUBLED TEENSCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the &#39;bitch&#39; to get down and make him dinner.CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.CUT TO TITLE PLATEJamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.CUT to a teacher&#39;s lounge. Mr. Harris, the school&#39;s guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It&#39;s normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.TEXT PLATE: The Next DayMr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. &#39;You&#39;ve never come to see me before,&#39; he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. &#39;That was a certainly an interesting age,&#39; he recalls. &#39;There&#39;s a lot of change happening in your life, isn&#39;t there? Does it feel like a perfect storm?&#39; Jamie tries to change the subject. &#39;My teacher said you had to talk to me about college?&#39; Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she&#39;d like to major in and where in the country she&#39;d like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn&#39;t going to be able to. Mr. Harris leans in and takes the girl&#39;s hand. &#39;You can do anything you put you mind to!&#39; He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. &#39;I know you were sent in here to talk about one thing,&#39; he begins. &#39;But I want you to consider this a safe space. A place where you can talk about anything.&#39; Jamie stares down at her feet and asks if she can be dismissed. She doesn&#39;t need an application. Mr. Harris cuts her off. &#39;Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.&#39; He says. &#39;I&#39;m here to listen and help you in any way I can, be it academic, developmental or even personal.&#39; Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can&#39;t help himself. &#39;Are you sure there isn&#39;t anything you would like to talk to me about?&#39; He asks, gently putting his hand on her shoulder. This time, the girl doesn&#39;t touch him back. She just starts to cry.&#39;I can&#39;t go to college ... because my father came back home,&#39; she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It&#39;s getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. &#39;Does your father hurt you in any way?&#39; Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man&#39;s back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. &#39;What does he do to you exactly?&#39; he whispers. She looks up at him. &#39;He fucks me up,&#39; she says, kissing the counselor.The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn&#39;t appropriate for him to be doing this. Finally, she slumps back into her chair. &#39;I&#39;m so messed up inside,&#39; she screams. &#39;I don&#39;t know what to do with myself!&#39; Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won&#39;t tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. &#39;Are you married?&#39; She asks. Mr. Harris nods. She puts her head in her hands. &#39;I&#39;m so sorry,&#39; she says, breaking down. &#39;I&#39;m just confused.&#39; Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. &#39;It&#39;s ok, Jamie.&#39; He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. &#39;Will you tell anyone?&#39; She asks. He shakes his head. &#39;Everything is confidential in this room,&#39; he finds himself saying. She bites her lip. &#39;I need to feel something inside of me other than my father,&#39; she says back. &#39;Can you please help me?&#39; There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie&#39;s bare ass, as she turns back to him. &#39;Please do it,&#39; she begs as the guidance counselor slides inside of her.BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.Panicked by what has happened, Mr. Harris tries to wipe up the girl&#39;s face and get her back into her clothes. &#39;I think you should probably take the rest of the day off,&#39; he says nervously. &#39;Just to give this a little space. I&#39;ll write you a permission slip. Is there anywhere safe you can go?&#39; He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn&#39;t have any friends. He suggests a women&#39;s shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. &#39;I can tell my wife it&#39;s an emergency,&#39; he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. &#39;Hi honey...&#39; he says, his voice breaking.</a>
	]]></description>
	<pubDate>Fri 02 Dec 2022 10:51:09 +0200</pubDate>
	<guid>https://dewporn.com/video/132501/mommy-monster/</guid>
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<item>
	<title><![CDATA[
		Future Darkly: The White Room
	]]></title>
	<link>https://dewporn.com/video/131913/future-darkly-the-white-room/</link>
	<description><![CDATA[
		<a href="https://dewporn.com/video/131913/future-darkly-the-white-room/"><img src="https://dewporn.com/contents/videos_screenshots/131000/131913/640x360/1.jpg" border="0"><br>Winner XBIZ Best Non-Sex Performance Nina HartleyWinner XBIZ Taboo Release of The YearARTIFAMILYFather Seduced by Android Clone of 18-YO DaughterSCENE opens with an homage to the famous POV sequence from the 1987 sci-fi film, Robocop. A lead scientist leans over the POV of a locked-off camera and examines the frame. She is standing in a stark, well-lit room accompanied by a small team, dressed neatly in lab coats, and taking notes. The lead scientist is commenting on the final stages of their new version. She talks about the exteroceptive sensors and the CCD cameras, asking questions to make sure that the actuators that malfunctioned previously will be completed prior to the trial. As she speaks, the frame periodically populates with code (VFX), suggesting that the scientists are leaning over a computer. When the scientist is satisfied, she asks the team to drain it and dress it in civilian clothes. The father will be arriving shortly. She leaves, and the team gives one final long look before exiting the frame.CUT TO TITLE PLATETEXT PLATE: March 15, 2095A CU of a man&#39;s shoes. He taps his feet and shakes his legs as the camera slowly pulls up to reveal an anxious looking man named Robert sitting in a minimalist white office. It&#39;s been six months since his beloved wife and 18-year-old step daughter were killed in a car accident and the man is sick with grief. Despite the support of his family and friends, he has been hospitalized twice with severe PTSD and recently placed on a medical leave by his employer. It was his therapist, in fact, who insisted he sign up for this government program as part of his treatment. Robert runs his hands through his hair and wipes his face to get himself together, as the lead scientist and her team of staff enter the room.The scientist greets Robert with great sensitivity, shaking the man&#39;s hand before extending it into a hug and introducing him to her team. She asks Robert to sit down again so they may begin the orientation. Taking her cue, one of the team members uses a tablet to cast a hologram screen beside the scientist (VFX*), as she begins speaking. She welcomes Robert formally to the ARTIFAMILY institute and starts to explain its history. It was founded in 2040 by Dr. Philip Bernard, a psychiatrist and futurist entrepreneur, who had a vision of using artificial intelligence to treat mental illness. Since Bernard&#39;s humble beginnings, ARTIFAMILY has evolved to become the leading treatment facility for victims of exploitation, emotional distress, and extreme bereavement. As the scientist explains their story, the screen beside her displays various images of Bernard and the ARTIFAMILY institute. Robert can only half-follow, visibly distracted and anxious about being there.Taking a pause to gauge his reaction, the scientist continues to explain his case. As she talks about the tragic accident, images of his wife and smiling daughter come on the screen. Robert looks sick, having to put his head between his knees at a certain point. The scientist signals another team member, who brings the man a silver can. Robert sips it meekly as the scientist goes on to discuss his subsequent PTSD diagnosis, work leave, and therapist recommendations. She empathizes about how hard it is for humans to retain employment and that he is lucky his corporation is so supportive. He has no expression.Kneeling beside him, the scientist sympathetically reminds him that today is the first step in his healing process. ARTIFAMILY specializes in creating android clones of deceased loved ones so that no one must suffer the loss of losing someone too soon ever again. Their team of scientists were able to upload and digitize their brain cells to construct an exact clone, using machine learning and patented algorithms to generate a personality match from the digital data. Apart from a small microchip behind the left earlobe, you would never know that ARTIFAMILY members weren&#39;t human. As she tells Robert about the program, the screen displays various sales pitches and stock images of androids being built. Robert stares at them in disbelief. The scientist signals her team to leave the room and they file out obediently, the hologram screen closing as they exit.&#39;Mr. White,&#39; she says quietly. &#39;In compliance with the AIX act, I need to inform you that we are only legally allowed to dispatch one android clone per household. Since you did not specify your preference in the initial application, we have taken the liberty to generate the more viable of the two candidates. I hope it will suffice.&#39; Robert looks at her blankly, asking what she means by &#39;viable&#39; as the team re-enters the room behind them. They are escorting the android daughter, who stands rigidly between them in a white tank top and white shorts. &#39;Daddy,&#39; she whispers. Robert freezes. His eyes well up as he slowly turns around to see the perfect likeness to his daughter. She looks expressionless for a moment before smiling and laughing. &#39;It&#39;s so good to see you,&#39; she says cheerfully. He staggers over to her, feeling her face, her arms, her legs, and exclaiming inaudibly before collapsing at her feet in tears. The team look amongst themselves proudly as the scientist shows off the girl&#39;s features, including her seamless movement, integrated computer system that is both wireless and SMART, and a discreet on/off function. She reminds Robert of the paperwork he needs to sign before they can leave. In a state of euphoria, he happily agrees to sign whatever papers are necessary to get his precious girl home.TEXT PLATE: March 16, 2095Cut to Robert opening the front door with his luggage and ushering his daughter inside. Cautiously and not willing to let go of her hand, he calls her by name (Jessica) and asks if she remembers their home. She steps inside, turns around, and smiling nods her head -- telling her father the exact date and time he and his late wife moved their family into the house, along with the property&#39;s coordinates: 34.0259 N, 118.7798 W. Robert&#39;s smile wavers; a small, stinging reminder that Jessica is not quite the same. He asks if she wants to see her room again and, after a slight pause, she eagerly nods and gives him a giant hug. They exit.Cut to Jessica entering her bedroom. She turns around and asks curiously why he didn&#39;t take her to his room. Robert reminds her that she has her own room. &#39;But I snooze with you when I don&#39;t want to be alone,&#39; she says, stepping into him for a hug. He winches again, looking at the subtle microchip tattooed behind her ear as he holds her. &#39;Yes sweetheart,&#39; he says. &#39;But that was when you were little. You&#39;re 18-years-old now.&#39; She looks up at him. &#39;The legal age of consent to fuck with another person in the state of California is 18 years old, daddy, so, I&#39;m going to fuck you!&#39; She grabs his crotch. Robert steps back awkwardly and takes her hand off. &#39;No, that is not right, Jessica,&#39; He says nervously. &#39;You must have that confused. I&#39;m your step-father. I&#39;ll be downstairs.&#39; He leaves the room abruptly, as Jessica stares at him before slowly slipping her fingers down her shorts and pulling them up to reveal sticky, wet fingers.Cut to that evening. Robert is eating dinner while Jessica sits watching him. The room is quiet and awkward when Jessica breaks the silence. &#39;Sexual intercourse.&#39; She starts spouting. &#39;The sexual contact between individuals involving penetration, especially the insertion of a man&#39;s erect penis into a woman&#39;s vagina, typically culminating in orgasm and the ejaculation of semen.&#39; Robert puts his fork down in shock. She stares at him before saying sweetly, &#39;When are you going to penetrate me, daddy?&#39;TEXT PLATE: March 17, 2095Robert sits in the living room, with Jessica across from him. He is trying to discreetly read the ARTIFAMILY manual he was given, particularly the diagram about how to turn the android off. All he needs to do is place his left thumb between her eyes to disable her function. It has been programmed to his thumbprint for security. Nervously, he looks it over a final time, opens a web browser and starts to type in &#39;what to do if your ARTIFAMILY malfunctions&#39; before deciding against it and closing his tablet. Instead, he asks his daughter what she wants to do tonight, and they embark on a few minutes of small talk. The conversation almost seems normal and Robert starts to let his guard down when, suddenly, Jessica starts removing her clothes. She asks him why he was searching for malfunctions with her body when, bending over, she can easily show him that nothing has malfunctioned. Robert stares at his android daughter&#39;s pussy before clasping his hand over his eyes. He tells her to put her clothing back on. &#39;No daddy,&#39; she argues. &#39;Not until I show you that I am fully functional and do not require any updates.&#39; Robert slowly removes his hand and tells her that he can see. &#39;I am a perfectly proportioned 18-year-old girl,&#39; she continues spreading her lips. &#39;My skin is soft, I am easy to lubricate, and I am always eager to please you.&#39; Robert shakes his head in disbelief. &#39;But you are my daughter,&#39; he begs. &#39;Yes daddy,&#39; she smiles turning onto her knees and crawling to his lap. &#39;I am the best version of your daughter. I want you to fuck me, daddy!&#39; She unzips his pants and stares up at him to accept his cock. In a panic, he presses his left thumb between her eyes, which emits a red glowing button (VFX) and the android clone closes her eyes and falls into a rest mode position.TEXT PLATE: March 18, 2095Jessica sits in the exact same frozen position while Robert paces frantically in the background.TEXT PLATE: March 19, 2095Jessica sits in the exact same frozen position while Robert leans in to her face. He looks horribly conflicted. He tells his house&#39;s SMART assistant to call the ARTIFAMILY INSTITUTE but as soon as the app agrees, he quickly changes his mind and cancels the call.TEXT PLATE: March 20, 2095Jessica sits in the exact same frozen position while Robert sits back in his chair. He hasn&#39;t closed an eyelid or eaten in several days and he is exasperated. Shooting her an evil look, he tells her she isn&#39;t even his real daughter. &#39;My daughter was a spoiled brat who never appreciated me,&#39; he starts yelling. &#39;My daughter caused my wife so much stress that that&#39;s why she probably decided to try to drive the car herself that night. Why the hell else would she have done that? Nobody fucking drives themselves anymore!&#39; He grabs the frozen girl&#39;s face aggressively. &#39;I should just fuck you till you break!&#39; He yells. In the heat of the moment, his thumb re-actives her -- a green glow emitting from her forehead. (VFX) She turns on, looks up at him and opens her mouth. &#39;Yes daddy, please daddy ... please fuck me!&#39; Robert grabs his cock out of his pants and shoves it deep into her android mouth. BG Rough Sex Scene. Throughout the sex, Robert hate fucks the android while she eagerly encourages him to go harder, using lots of family roleplay talk. In the end, he jizzes all over her face. Looking up at him, she repeatedly says &#39;Thank you daddy&#39; as she begins to short-circuit. She collapses to the floor.Panicked and overwhelmed by what he has done, Robert stares at his android daughter lying on the floor glitching (VFX) before screaming to his SMART APP to call the ARTIFAMILY institute. The SMART APP asks if he is certain this time. He screams yes and the phone rings. When a receptionist at ARTIFAMILY answers, all that the tormented Robert can scream is &#39;HELP ME!&#39;THE END</a>
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	<pubDate>Fri 11 Nov 2022 19:17:13 +0200</pubDate>
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